This new handbell arrangement of Irving Berlin’s holiday classic White Christmas will add a special touch to your Christmas program. It’s scored for five to seven octaves with optional flute, and will have your audience …
Shaker songs are fantastically good as eight-bell music! “‘Tis a gift to be simple”, yes… but our eight-bell arrangements Simple Gifts are a lot of fun to play. Today we’re publishing our second “standard” eight-bell …
The hymn tune DIX is usually sung with the texts For the Beauty of the Earth and As with Gladness Men of Old (the latter most often at Christmas). We started with what we considered …
O Love That Wilt Not Let Me Go is a lovely hymn that reminds us of the infinitely deep peace and protection that God offers those who trust Him. Today we’re publishing our “Surprisingly Easy”™ …
The plainchant Draw Near, O Lord has a double origin, with its Latin text from the 10th century and its melody from the 19th century. It is often referred to as the “Lent[en] Prose”. Our …
[GENEVAN] PSALM 22 is a sixteenth-century hymn from the Genevan Psalter. The referenced psalm starts with “My God, My God, why hast Thou forsaken me?”, declaring King David’s remorse after sin. The text was spoken …
When I Survey the Wondrous Cross is a meditation on the Son of God who gave His life for us. Isaac Watts wrote this hymn which continues to draw us to the Savior. Today we’ve …
Here’s more fun for the fall with the autumnal hornpipe The Harvest Home for eight handbells! (Yes, it’s January… but having lots of time to practice sounds great… Alternate Titles: Cincinatti The Cork Fred Wilson’s …
John Rox wrote the novelty song I Want a Hippopotamus for Christmas in 1950. Three years later, Gayla Peevey, a ten-year old from Oklahoma City, OK, recorded it with Mitch Miller’s orchestra as the supporting …
The Fauré Requiem, a magnificent funerary work, contains the song Pie Jesu. It’s a prayer that the departed will receive everlasting rest and peace from the Lord Jesus. Here’s our new duet arrangement! Pie Jesu, …
A few years back, we published a 2-3 octave arrangement of the Scottish melody KELVINGROVE (also known in modern hymnody as The Summons/Will You Come and Follow Me). Our attempts to get a video of it being played failed back then, and so we had to settle for an MP3.
However, the handbell choir at our church played it just a short while ago, and here’s how it actually sounds!
The Estonian handbell ensemble Campanelli visited the eastern United States in 2017, performing in New York, New Jersey, and Pennsylvania. We had the privilege of tagging along with them for the week, and enjoyed their company and friendship. When we all went to the Malmark factory for a tour, Inna, their director, had us join their group picture, saying, “You are Campanelli now.” <3
We also had a chance to commission a piece for them to play. It's Susan Nelson’s arrangement of the Estonian song Mu Süda Ärka Üles, the title of which means Awake, My Heart. Sue even wrote an eight-bell part for us, which we subsequently filled out a bit and played with them on tour.
This Spanish Christmas carol was part of our “A Carol a Day” postings a couple of years ago, but somehow it escaped official publication! It’s a lively song about how the fish in the river – “los peces en el rio” – rejoiced at the birth of Christ. Here’s where you can find our eight-bell arrangement!
I Vow to Thee, My Country is based on the THAXTED theme from the “Jupiter” movement of Gustav Holst’s suite The Planets. In the United Kingdom, it’s sung to words written by Cecil Spring-Rice about dedication to God and country. In some US hymnals, this melody is matched to O God, Beyond All Praising.
This was the offertory we played on our last Sunday before moving to Michigan, and it continues to be one of our absolute favorites!
We have a lively new arrangement of this pretty hymn. There are plenty of stopped sounds (mallets, thumb damps, martellati…) to keep your ringers fascinated, and the syncopated melody is delightful. We’re certain your congregation/audience will love this one!
Purchasing the handbell choir version of this arrangement grants permission to print and maintain up to fifteen copies for your handbell ensemble; purchasing the single copy version grants permission to print and maintain one copy. Purchase also gives permission for performance, broadcasting, live-streaming and video-sharing online. See our licensing agreement for full details, and please remember to mention the title and arranger of the piece on video-sharing sites, social media and any printed materials such as concert programs.
No… we didn’t have a site problem. This is about an already-available piece for which we finally got a video. A Minor Crash is an original work for five to eight octaves of handbells (plus three octaves of optional chimes). Larry had the privilege of leading the Area 8 BronzeFest ensemble in its first-ever performance at the end of June!
A Minor Crash is full of rhythms that will keep everyone excited. We also have a percussion part created by Alex Guebert which will give your performance an extra boost!
Purchasing the handbell choir version of this arrangement grants permission to print and maintain up to fifteen copies for your handbell ensemble; purchasing the single copy version grants permission to print and maintain one copy. Purchase also gives permission for performance, broadcasting, live-streaming and video-sharing online. See our licensing agreement for full details, and please remember to mention the title and arranger of the piece on video-sharing sites, social media and any printed materials such as concert programs.
Purchasing the handbell choir version of this arrangement grants permission to print and maintain up to fifteen copies for your handbell ensemble; purchasing the single copy version grants permission to print and maintain one copy. Purchase also gives permission for performance, broadcasting, live-streaming and video-sharing online. See our licensing agreement for full details, and please remember to mention the title and arranger of the piece on video-sharing sites, social media and any printed materials such as concert programs.