John Wyeth or Asahel Nettleton wrote the hymn tune NETTLETON back in 1813, and the message of the lyrics that are set to it continue to comfort and inspire Christians today. We have a new two-octave arrangement of Come, Thou Fount of Every Blessing that’s a very accessible Level 2+. We hope you enjoy playing …
Tag: AGEHR Level 2
This composition is a handbell choir score rated at AGEHR Level 2. Generally, the scores will be in basic time signatures such as 4/4, and will subdivide beat only to the eighth note. Several relatively easy articulations (e.g. martellato, thump damp, ring touch) may be present.
Come Thou Fount of Every Blessing (NETTLETON) (Handbells, 2 octaves, Level 2+)
John Wyeth or Asahel Nettleton wrote the lovely hymn tune NETTLETON back in 1813, and the message of the text Come, Thou Fount of Every Blessing that are set to it continues to comfort and inspire Christians today. Come, thou Fount of every blessing, tune my heart to sing thy grace; Streams of mercy, never …
May 09
My Faith Has Found a Resting Place (LANDÅS) (Handbells, 2 octaves, Level 2+)
My Faith Has Found a Resting Place elegantly states the key truth of salvation: It is enough that Jesus died, and that He died for me.” No effort on our part will make a difference either way, because all we need to do is put our trust in Him. Our new arrangement for just two …
My Faith Has Found a Resting Place (LANDÅS) (Handbells, 2 octaves, Level 2+)
My Faith Has Found a Resting Place elegantly states the key truth of salvation: It is enough that Jesus died, and that He died for me.” No effort on our part will make a difference either way, because all we need to do is put our trust in Him. My faith has found a resting …
Apr 12
Praise, My Soul, the King of Heaven (LAUDA ANIMA) (Handbells, two octaves, Level 2+)
The hymn tune LAUDA ANIMA was written by John Goss in 1868, and is married wonderfully with the lyric Praise, My Soul, the King of Heaven. Our arrangement of this hymn for two octaves of handbells is from the series of pieces written for the handbell choir of the Third Reformed Church of Holland, Michigan, …
Praise, My Soul, the King of Heaven (LAUDA ANIMA) (Handbells, two octaves, Level 2+)
The hymn tune LAUDA ANIMA was written by John Goss in 1868, and is married wonderfully with the lyric Praise, My Soul, the King of Heaven. Praise, my soul, the King of heaven; to his feet your tribute bring. Ransomed, healed, restored, forgiven, evermore his praises sing. Alleluia, alleluia! Praise the everlasting King! Praise him …
Apr 04
Blessed Assurance (ASSURANCE) (Handbells, 2 octaves, Level 2+)
Blessed Assurance is one of Fanny Crosby’s all-time classic hymns. It speaks of faith, dependence, and triumph through having an absolute reliance on God and His power. Our new arrangement is for two octaves, and will be a welcome addition to your ensemble’s repertoire. Blessed assurance, Jesus is mine! O what a foretaste of glory …
Blessed Assurance (ASSURANCE) (Handbells, 2 octaves, Level 2+)
Blessed Assurance is one of Fanny Crosby’s all-time classic hymns. It speaks of faith, dependence, and triumph through having an absolute reliance on God and His power. Our arrangement is for two octaves, and will be a welcome addition to your ensemble’s repertoire. Blessed assurance, Jesus is mine! O what a foretaste of glory divine! …
The Day Thou Gavest, Lord, Is Ended (ST. CLEMENT) (Handbells, two octaves, Level 2+)
The Day Thou Gavest, Lord, is Ended is about eternity in the “always” rather than the “forever” sense; the lyrics are about perseverance without letup as the Church continues her work night and day. The day Thou gavest, Lord, is ended / The darkness falls at Thy behest; To Thee our morning hymns ascended / …
Kum Ba Yah (Handbells, 2 octaves, plus handchimes, 2 octaves, Level 2+)
Kum Ba Yah is an African-American spiritual, most likely dating back to the eighteenth or nineteenth century. The first known recording of it dates back to 1926, and was a pretty upbeat version of the song that, since then, has become a more prayerful meditation. The phrase “kum ba yah” is a linguistic variation of …
