Category: Choraegus

Hark! the Glad Sound – Twelve handbells

The hymn Hark! the Glad Sound, arranged for twelve handbells, anticipates the Savior’s coming. It speaks of the triumphant kingdom He will establish, and is suitable for Advent or Palm Sunday. Hark, the glad sound! The Savior comes, the Savior promised long! Let every heart prepare a throne, and every voice a song. He comes …

Continue reading

A Sparrow on Christmas Morning (Handbells, 3-5 octaves, plus handchimes, 3 octaves, Level 3+)

Otto Kotilainen’s Finnish carol A Sparrow on Christmas Morning tells the story of a sparrow that has exhausted his summer food supply. In danger of starving in the winter cold, he visits a young girl who offers him a seed to eat. The sparrow gratefully accepts the offer, and then reveals that he, her deceased …

Continue reading

In what order should I hold my bells?

The question of how to configure four-in-hand bells (usually for eight-bell duets or twelve-bell trios) comes up every now and then. The mental effort required to manage four notes simultaneously dictates a need to make as much of that thinking as automatic as possible. One school of thought goes with the idea of holding the …

Continue reading

What does it mean to “specialize in bass handbell ringing”?

BVWOH Deep Pit 2011

I’m a “bass ringing specialist”. The simple explanation of that phrase is that some people think that I’m reasonably proficient at ringing bass bells. I realize that still requires a bit of clarification, because the bass clef in modern handbell music tops out at C5 (which is written as a middle C on the handbell …

Continue reading

Why is handbell music notated an octave lower?

In case you didn’t already know, handbell music is notated an octave lower than the bells actually sound. For instance, the “middle C” that handbell ringers read really is the C that’s on the third space (counting upward) of the treble staff. The convention in place, however, is to name a particular note by its …

Continue reading

It’s small ensemble time!

Small (handbell) ensembles are much more the order of the day after mid-May, at least in the Northern hemisphere. Pretty much everyone in the United States syncs their calendar to the end of the school year, and so family vacations and summer programs ramp up, resulting in a local population decrease as people get out …

Continue reading

Here’s the “Surprisingly Easy”™ eight-bell “O Worship the King” (LYONS)!

We started writing “Surprisingly Easy”™ variants of many of our eight-bell arrangements years and years ago. That was to provide a faster-to-worship learning time, especially for duets, trios, and quartets who are newer to four-in-hand and ensemble ringing. If you aren’t already familiar with our easier eight-bell scores, they’re generally equivalent to a Level 2 …

Continue reading

The Flip

Playing handbell duets is both art and science. The art is about making the music happen, and the science is what has to be done to achieve that physically. The combination/interaction of the two is what you see in our videos and live performances. When we play our really fast music, we each might be …

Continue reading

New video of (Level 1) “Newness”!

Newness is one of our very special compositions for handbell choir. In addition to being written for three or five octaves of handbells/handchimes, it’s possible to play it at Level 1, Level 2, or Level 3. The difference between the Level 2 and Level 3 versions is simply whether or not you choose to use …

Continue reading

What’s our easiest handbell choir piece?

Sometimes we’re asked which of our pieces for handbell choir is the easiest. Hands down, it’s Celebration. This piece is AGEHR Level 1; for those of you not familiar with what that means, the score has nothing smaller than a quarter note. The piece itself is composed of big block chords; if you’re ringing it, …

Continue reading